November

Unnoticed

Urlakad på färg
Tyngd av senaste skuren
Svårmodets täcke

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6 Comments

  1. Posted December 1, 2009 at 04:52 | Permalink

    Nicely toned. I like how the focus is on the notice board (cylinder?) and we get to see the layers and layers of remnants of obsolete notices. An accumulation of time.

  2. Ove
    Posted December 1, 2009 at 11:00 | Permalink

    This is what I like with notice boards, all these fragments of wishes and statements that still remain on the board, though being obsolete since long. I found this particular view very sad for some reason, and wanted to emphasise this.

  3. Posted December 4, 2009 at 17:29 | Permalink

    More bicycles! The OOF areas leading you to the board. How did you do that?

  4. Posted December 5, 2009 at 14:52 | Permalink

    An incredibly intriguing image Ove. When I first saw this, my first interpretation was the woman was in one of those ticket selling booths. But then I realized her head was a little bit big in relation to the booth. :-)

  5. Ove
    Posted December 5, 2009 at 20:45 | Permalink

    Chris, shooting in Lund makes it difficult to not get a bicycle in the view frame. :-) I used a Lensbaby for this one, which I pointed against the notice board. This makes the parts beside the board blurred, even if they would be in focus with a equally dimensioned, conventional lens at the same aperture. The Lensbaby blurs out everything outside the sweet spot, which you can place anywhere in the view frame. You could say that you get DOF also in the view plane.

  6. Ove
    Posted December 5, 2009 at 20:48 | Permalink

    Well, in a small world, as many say we live in, this would be a common view. :-) Thanks a lot, Mark!

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  • Welcome to my blog about this and that – ditt & datt in Swedish. The topics you'll find here are not always that general, though. You wont find anything on football, for instance. Moreover, all the light will most often be on photographs I made. In fact, if I tell something I find worthwhile telling, I usually stick a few of my photographs to the story. You could almost say this is about photography, and in a way you're right, it is. But it is also about what I see.